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Eklavya - The Royal Guard (2007)
Akki: "Eklavya - The Royal Guard" / "Эклавия - княжеский страж" - 2007 director - Vidhu Vinod Chopra co-stars - Saif Ali Khan, Boman Irani, Vidya Balan, Sanjay Dutt, Jimmy Shergill, Jackie Shroff, Sharmila Tagore Посмотреть фильм онлайн Отзывы о фильме: Remita 07_Nikasha (+ caps)
Remita:
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амина: Я что-то в последне время прониклась Саифом! теперь буду трепетно ждать выхода и не только из-за АБ
Akki: ох, как-то не люблю я чалмов до бровей и бородушек кудрявых на Амите, о-о-ох... из-за этого и Khuda-gawah смотреть не смогла больше двух раз. там-то уж совсем переборщили с париками.
Lolita: Akki пишет: ох, как-то не люблю я чалмов до бровей и бородушек кудрявых на Амите Да, не идет ему А Саиф с Видьей хороши.
Akki: Lolita пишет: Да, не идет ему в Khuda gawah я не могла смотреть, как они его состарили. может, потому, что я никак не вижу его старцем... а сейчас тем более не вижу. с его молодой душой и юношеским задором
Remita: Akki пишет: в Khuda gawah я не могла смотреть, как они его состарили. может, потому, что я никак не вижу его старцем... А я там его совершенно никаким старцем не увидела - наоборот - такая МОЩЬ и ЧИСТО Амитовская ХАРИЗМА! Я просто обожаю Khuda Gawah и то, как Амит там сыграл!!! Беподобен! И чалма с бородой - не помеха!!!
Remita: А вот от этого Eklavya - The Royal Guard я почему-то ничего хорошего не жду... То ли народу там слишком много, то ли Амит слишком замаскированный... По крайней мере, у него там явно далеко не главная роль - а это уже плохо...
Remita: Big B waited for 30 years for this film By IndiaFM News Bureau, January 29, 2007 - 11:00 IST Excerpts from Vinod Chopra Productions in conversation with Amitabh Bachchan, Saif Ali Khan & Sanjay Dutt which will be aired on television this week. TO AMITABH BACHCHAN 30 years! 30 years is what it took for two of the finest talents of Indian cinema to come together. For 30 long years, Vidhu Vinod Chopra longed to direct Amitabh Bachchan and finally the dream has come true. In the making of Eklavya, Chopra and Bachchan have an unguarded, intimate conversation about their journey through the years and finally working together in Eklavya. The conversation itself has been termed ‘historic’ by Bachchan. Vinod: I have waited for thirty years to work with you… And the wait has been worth it…! Bachchan: Well, you would need to answer this question yourself. For 30 years you have been after my blood to work with you, yet you have not taken me in any of your films... finally Eklavya happened and I am glad I waited for 30 years for this film. What started off as Yagna — a relationship between a father and a son, has turned around to be a lovely tale — Eklavya. Vinod: Actually the idea of Eklavya, as it is now, came from you, when you narrated that little story of a man dying and his son being given his gun. Bachchan: It was the story of Yassar Arafat’s body guard… I think Abu Hassan. When the Mossad got him, one of his men pulled out his revolver from his body lying on the ground and took it to Abu Hassan’s home to his little son. He went up, woke the little child and said nothing. He took out the revolver, dismantled it and put it together again and gave it to the kid. The kid took the revolver, put it under his pillow and went to sleep. This was very significant of wanting to carry on the struggle or the tradition. I don’t know what it was meant to be but that’s where the idea originated for me…. Vinod: It was then that I immediately thought of Eklavya with Eklavya’s father dying and Eklvaya being a young kid. That for me was the trigger; when you mentioned that incident. It triggered me and Abhijat Joshi, my writer, into a whole area for Eklavya; how a son carried on where the father left it. Bachchan: It was a seed you had sown that has now grown into a tree to admire. Vinod: I must tell you this; I never told you this, how difficult it was for me to come over and fight with you over the turban or the beard. It is so much easier for me to direct another actor, because for me he is just an actor and me, the director. I would go to any lengths to get the best performance from any actor. But with you, it was reverence and the conflict between reverence and the director in me was very difficult to handle. But you handled me very well because you were so patient and understanding. The most difficult thing for me was, how do I direct an actor, who for me is not just an actor but the man who changed my life, guided me and inspired me. Bachchan: I didn’t have an option. Vinod: You could have gone home. Bachchan: Yeah… But it was a long drive back so I just thought I will carry on work. Now that we are really talking about the relationship between an actor and director, I think it is important to submit oneself. When an actor takes up a job, it is also his job to submit entirely to the captain of the ship who is the director. I also think that one cannot appreciate patience unless you know you have it yourself. You have a certain scene that you envisage and you wait endlessly for it, whether it is the colour of the sky or whether it is a little candle burning in the background. But I’m happy you have this attitude. Because as I said earlier, we tend to become very complacent and say “chalo hogaya”, “let’s finish this”, “aage bado”, “next shot”, “ghar jana hai”, “garmi bahut hai”, “A/C laga” etc. You know these are all the niceties of life, but I think it is important when there is someone who will not allow you to get away with all this until he is completely satisfied. I think that is very marvellous. ‘Where were you for 12 yrs?’ TO SAIF ALI KHAN Vinod: I remember during Parineeta, I asked you, “Where were you for 12 years?” In Parineeta, you just won me over with your performance. There has been a distinct transition as an actor over these years for you. What made you go through this transition? Saif: Now that is a compliment, coming from you. As for the transition, I’m really not sure. The easiest answer would be to say that the kind of work I am being offered has changed. Also a certain amount of maturity and growing up has happened. In addition to this, the dialogues and situations are slightly more contemporary than when I joined films. Earlier, scripts were basically written for Amitabh Bachchan and Shashi Kapoor, no matter who was playing them. The filmmakers I was working with were from a different generation, who didn’t really make an attempt to bridge the gap and of course, the fact that I did not have a grasp on the language. I grew comfortable with the environment and was quite content with it. One thing I have never told anyone but I tell you now, is that, when I started working with the newer generation like Abhishek Bachchan, Fardeen Khan, I realised even though I was eight years senior to them, they were becoming in their own way bigger stars than me and that is when I realised that I needed to put in more effort. ‘You made me work harder than I imagined.’ TO SANJAY DUTT As the upright Inspector General Inayat Khan in Vidhu Vinod Chopra’s Mission Kashmir, Sanjay Dutt revealed another dimension as an actor. He followed it up with the simple and mature character of Girish in Parineeta and the hugely popular Munna Bhai in the Munna Bhai series. Vinod’s films seem to bring out the best in Sanjay. Vinod: I sat still as you walked into the office with your new look... I say this because the brief I had given you of the character was in no way a detailed chart, but you were there, bang on. I must add that the new look, especially the hair which looked absolutely fabulous, was an incentive for me to work harder. You made me work harder than I imagined with your involvement. People think that actors add no value to the script but the critical thing about you was that I told you so little about the character, but you understood even the smallest nuances of Pannalal Chohar. The little things like the crooked hat (‘tedhi topi’) and the short hair, just got you into the skin of the character. That was just superb and I cannot tell you how Raju (Rajkumar Hirani) and I as directors and writers admire the effort you put in. We give birth to a character and take it to a certain level, but you as an actor put in that extra effort and make the characters loveable and unforgettable. How do you manage to do this? Sanjay: Once you briefed me about Pannalal Chohar, I felt that he should be a very rough-looking guy but with a lot of vulnerability. So I decided that he should have short hair, wear a crooked hat and dark glasses. I also understood that he admired Eklavya and that he would do anything for the man. He was proud of being a Chohar and of achieving the status of a police officer. But all these characteristics would be put into action only if you approved of them. Vinod: The point is that I have worked with many actors; some actors put in lots of effort while others don’t put any. I have never seen you putting in that kind of effort before. Whether you come to the set walking like Pannalal or looking at Eklavya with admiration or the disdain that you showed for Boman, it all came so naturally to you. It looked completely effortless and I admire you for that. http://www.indiafm.com/features/2007/01/29/2178/index.html
Akki: Remita пишет: как Амит там сыграл!!! Беподобен! И чалма с бородой - не помеха!!! игра игрой, а работа стилиста - отдельно. для меня, по крайней мере :) ну и плюс - я, наверное, в какой-то момент разлюбила фильмы на подобную тематику. сейчас бы точно не смогла б смотреть. вот и насчет Ekklavya - предчувствую, что посмотрю, впечатлюсь (допускаю, что впечатлюсь, уж слишком много тут мне симпатишных и талантливых актеров ), но повторно смотреть не буду. кстати, и Омкару не могу посмотреть по той же причине. Remita пишет: то ли Амит слишком замаскированный... о, вот - вот у меня это и оказалось помехой в Khuda gawah
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Akki: http://r.foto.radikal.ru/0703/df42da084383.jpg надпись над рукой с пистолетом
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